Information concerning the potter's art is quite
full through the rich results of the excavations at
Tell el-Hesy. From about 1400 B.C.
can be traced the influence exercised
by the art of Mycenae,
through the
medium of Phenicians from Cyprus, upon the rude
art of the Canaanites. This appears in the engraved
and stamped patterns, consisting of wave
lines, crosses, straight lines, curves, etc., and also
in the painted decorations in the style of Mycenae;
geometric figures (circles, wave lines, etc.) and representations
of birds and ibexes, all executed in the
very best manner. In the early Israelitic period
Phenician influence is dominant both in the form
and in the style of decoration. Later, about 700
B.C., Greek influence asserts itself and brilliant
yellowish-brown or black ware is found, usually
decorated with concentric circles. It is, of course,
difficult to determine what was made by the Israelites
in their villages and what was brought in by
Phenician merchants, but it is known that the
Israelites quickly assimilated this art. The prophets
took their metaphors from the potter's art, and
they speak of kneading the clay (Jer. xviii.6),which
was trodden by the feet
(
142 |
The stone-cutter (harash ebhen) was also a builder.
He undertook the entire construction of the house.
As is shown by the excavations, the
dwelling-houses were always small
huts, with walls
made of mud-bricks
or of unhewn stones roughly built up;
even in the principal cities walls built
of hewn stones were rare. As tools of the stonecutter,
in addition to the hammer and chisel, the
level
(
The carpenter (harash `ez) is entrusted with the
fabrication of all wooden articles for the household,
and also plows, threshing-carts, winnowing-shovels,
and the like. Some were
able to execute fine work and
carved images of the gods (cf.
Weaving was mostly done at home; finer fabrics
were brought from abroad. The oldest method of
weaving is still used by the Bedouins;
threads are stretched lengthwise along
the ground and the
cross-thread is
pushed through with the fingers; the web is pushed
together with a wooden reed. The Egyptians had
two kinds of looms, and they were also known in
Palestine. In the Middle Empire the loom is horizontal,
the beams are fastened to the ground, and
the weavers crouch down in working. This kind of
loom is suggested in the story of Samson, where
Delilah weaves his hair into the warp while he sleeps
(
It is only by chance that the tanners and dyers
are not mentioned among other artisans in the Old
Testament. Bakers are found only in
the cities, in the country baking being
done at home. The
fullers have a certain
importance, but also a bad repute.
They made woolen fabrics waterproof by felting the
wool and also cleaned old clothes. They were forced
to exercise their trade outside of the city of Jerusalem
on account of the bad odors produced and because
a good supply of water was needed
(
Bibliography: F. Delitzsch, Jüdisches Handwerkerleben our Zeit Jesu, Erlangen, 1875, Eng. transl., Jewish Artisan Lift, London, 1877, Philadelphia 1883, New York, 1883; H. Winckler, in Alttestamentliche Forschungen, eipsic, 1892. P. Rieger, Verauch einer Tschnologis and Termi nologie der Handwerke in der Misnah, Berlin, 1894; E. Day, Social Life of the Hebrews, New York, 1901; DB, iv. 807; ED, articles "Handicrafts," .. Metals," .` Pot _ .. Weaving."
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