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GREEK
SERIES FOR COLLEGES AND SCHOOLS
EDITED
UNDER
THE SUPERVISION OF
HERBERT
WEIR SMYTH, PH. D.
ELIOTT PROFESSOR
OF GREEK LITERATURE IN HARVARD UNIVERSITY
|
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volumes
of the series
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greek
grammar for schools and colleges. By the Editor, |
Prof.
Herbert Weir Smyth. |
GREEK
GRAMMAR FOR COLLEGES. By the Editor, Prof. Herbert Weir
Smyth |
BIGINNER'S
GREEK BOOK. Prof. Alien R. Benner, Phillips Academy, An-
dover; and the Editor. |
BRIEF
GREEK SYNTAX. Prof. Louis Bevier, Jr., Rutgers College. |
GREEK
PROSE COMPOSITION FOR SCHOOLS. Clarence W. Gleason
Volkmann School, Boston, |
GREEK
PROSE COMPOSITION FOR COLLEGES. Prof. Edward H.
Spieker, Johns Hopkins University. |
AESCHYLUS.
PROMETHEUS. Prof. J. E. Harry, University of Cincinnati |
ARISTOPHANES.
CLOUDS. Dr. L. L. Forman, Cornell University |
DEMOSTHENES.
on THE CROWN. Prof.
Milton W. Humphreys, University
of Virginia. |
EURIPIDES.
IPHIGENIA IN TAURISProf. William N. Bates, University of
Pennsylvania. |
EURIPIDES.
MEDEA. Prof. Mortimer Lamson Earle, Columbia University. |
HERODOTUS.
BOOKS VII.-VIII. Prof. Charles Forster Smith and Prof.
Arthur
Gordon Laird, University of Wisconsin. |
HOMER.
ILIAD. Prof. J. R. S. Sterritt, Cornell University.
books i.-hi. books i.-iii.
and selections. |
LYSIAS.
Prof. Charles D. Adams, Dartmouth College. |
PLATO.
APOLOGY AND CRITO. Prof. Isaac Flagg, University of
California. |
PLATO.
EUTHYPHRO. Prof. William A. Heidel, Wesleyan University. |
THEOCRITUS.
Prof. Henry R. Fairclough and Prof. Augustu T. Murray, Leland
Stanford, Jr. University. |
THUCYDIDES.
BOOKS II.-III. Prof. W. A. Lamberton, University of Penn-
sylvania. |
XENOPHON.
ANABASIS. Books I.-IV. Dr. M. W. Mather, Instructor
in
Harvard University, and Prof. J. W. Hewitt, Wesleyan University. |
XENOPHON.
HELLENICA (Selections). Prof. Carleton L. Brownson, College
of
the City of New York. |
GREEK
ARCHAEOLOGY. Prof. Harold N. Fowler, Western Reserve
University,
and Prof. James R. Wheeler, Columbia University. |
GREEK
LITERATURE. Dr. Wilmer Cave Wright, Bryn Mawr College. |
GREEK
RELIGION. Arthur Fairbanks, Ph.D., Litt. D., Director of
the Boston
Museum of Fine Arts. |
GREEK
SCULPTURE. Prof. Rufus B. Richardson, formerly Director of
the Ameri-
can School of Classical Studies, Athens. |
INTRODUCTION
TO THE GREEK DRAMA. Prof. Chandler R. Post,
Harvard University. |
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A GREEK
GRAMMAR
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FOR COLLEGES
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BY
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MO.
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HERBERT WEIR SMYTH
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PH.D.,
UNIVERSITY OF GOTTINGEN
|
ELIOTT
PROFESSOR OF GREEK LITERATURE IN HARVARD
|
UNIVERSITY
|
AMERICAN BOOK COMPANY
|
NEW
YORK
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CINCINNATI |
CHICAGO |
BOSTON |
ATLANTA |
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COPYRIGHT,
1920, BY
|
HERBERT WEIR SMYTH
|
ALL RIGHTS RESERVED |
SMYTH.
GREEK GRAMMAR FOR COLLEGES
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W.P.I.
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Calvin College Library
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No. PA258 563 |
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PREFACE |
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THE
present book, apart from its greater extent and certain differences of
statement and arrangement, has in general, the
same plan as the author's Greek Grammar for Schools and
Colleges. It is a descriptive, not an historical, nor a
comparative, grammar. Though it has adopted many of the
assured results of Comparative Linguistics, especially in the field of
Analogy, it has excluded much of
the more complicated matter that
belongs to a purely scientific treatment of the problems of Morphology.
It has been my purpose to set forth the essential forms of Attic speech,
and of the other dialects, as
far as they appear in literature; to devote greater attention to the
Formation of Words and to the Particles than is usually given to
these subjects except in much more extensive works; and to supplement
the statement of the principles of Syntax with information that will
prove of service to the student as his knowledge widens and deepens. |
As
to the extent of all amplification of the bare facts of Morphology and
Syntax, probably no two makers of a
book of this character, necessarily restricted by considerations
of space, will be of the same mind.
I can only hope that I have
attained such a measure of success as will commend itself to the
judgment of those who are engaged in
teaching Greek in our colleges and universities. I trust,
however, that the extent of the
enlarged work may lead no one to the opinion that I advocate the
stucy of formal grammar as an end in itself; though I would have every
student come to know, and the sooner
the better, that without an exact knowledge of the language there
can be no thorough appreciation of the literature of Ancient Greece, or
of any other land ancient or modern. |
In
addition to the authorities mentioned on page 5, I have consulted
with profit Delbrück's Syntaktische Forschungen, Gildersleeve's
numerous and illuminating papers in the American Journal of Philology
and in the Transactions of the
American Philological Association, Schanz's Beiträge zur
historischen Syntax der griechischen Sprache, Riddell's Digest of
Platonic Idioms, La Roche's Grammatische Studien in the
Zeitschrift für oesterreichische
Gymnasien for 1904, Forman's
Selections from Plato, Schulze's
Quaestiones |
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VI |
Epicae,
Hale's Extended and Remote Deliberatives in Greek in the
Transactions of the American Philological Association for 1893, Harry's
two articles, The Omission of the Article with Substantives after oêtow,
õde, ¤keÝnow in Prose in
the Transactions for 1898, and The Perfect Subjunctive, Optative, and
Imperative in Greek in the Classical Review for 1905, Headlam's Greek
Prohibitions in the Classical Review for 1905, Marchant's papers on The
Agent in the Attic Orators (University of Chicago, Stahl's Kritisch-historische
Syntax des griechischen Verbums, and Wright's Comparative Grammar
of the Greek Language. I have examined many school grammars of
Greek in English, German, and French, among which I would particularize
those of Hadley-Allen, Goodwin, Babbitt, Goodell, Sonnenschein, Kaegi,
Koch, Croiset et Petitjean. I am much indebted also to Thompson's Greek
Syntax. |
I
would finally express my thanks for helpful criticism from Professor
Allen R. Benner of Andover Academy, Professor Haven D. Hopkins
University, Professor Archibald L. Hodges of the Wadleigh High School,
New York, Dr. Maurice W. Mather, formerly Instructor in Harvard
University, Professor Hanns Oertel of Yale University, and Professor
Frank E. Woodruff of Bowdoin College. Dr. J. W. H. Walden,
formerly Instructor in Harvard, has lent me invaluable aid by placing at
my service his knowledge and skill in the preparation of the Indices. |
HERBERT
WEIR SMYTH |
CAMBRIDGE, |
Aug.
1, 1918 |
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INTRODUCTION |
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THE GREEK LANGUAGE AND ITS
DIALECTS |
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A.
Greek, the language of the inhabitants of Greece, has been constantly
spoken from the time of Homer to
the present day. The inhabitants of ancient Greece and other
Greeks dwelling in the islands and on the coasts of the Mediterranian
called themselves (as do the modern Greeks) by the name Hellenes (©Elljnev);
their country Hellas (Ó
hEll€v), and their language
the Hellenic (Ó
hElljnikÑ glòssa). We
call them Greeks from the Latin Graeci, the name given to
them by the Romans, who applied to the entire people a name properly
restricted to the Gra²oi,
the first Hellenes of whom the Romans had knowledge. |
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N.
1. — Graeci (older Graici) contains a Latin suffix -icus,
and the name Graiko°,
which occurs first in Aristotle, is borrowed from Latin. The Roman
designation is derived either from the Gra²oi,
a Boeotian tribe that took part in the colonization of Cyme in Italy, or
from the GGra²oi,
a larger tribe of the same stock that lived in Epirus. |
N.
2. — No collective name for ' all Greece ' appears in Homer to whom
the Hellenes are the inhabitants of Hellas, a district forming part of
the kingdom of Peleus (B 683)
and situated in the S.E. of the country later called Thessaly. hEll€v
for ' all Greece '
occurs first in Hesiod. The Greeks in general are called by Homer HAcaio°,
HArge²oi, Danao°. |
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B.
Greek is related to the languages of the Indians (Sanskrit), Persians (Zend),
Armenians, Albanians, Slavonians, Lituanians, Romans, Celts, and
Germans. These various languages are all of the same stock, and
together constitute the Indo-European family of languages. an
important relation of Greek to English, which is a branch of the
Germanic tongue is illustrated by Grimm's law of the 'permutation of
consonants': |
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π =
f
πατήρ father |
τ =
th
τρεῖς
three |
κ =
καρδίᾱ
heart |
β =
p
τύρβη
thorp |
δ =
t
δύο
two |
γ =
c (k)
ἀγρός
acre |
φ =
b
φέρω
bear |
θ =
d
θύρᾱ
door |
χ =
g
χήν
goose |
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The
above English words are said to be cognate with the Greek
words. Derived words, such as geography, theatre, are
borrowed, directly or indirectly from the Greek (γεωγραφίᾱ,
θέᾱτρον ) |
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2 |
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C.
At the earliest known period of its history the Greek language was
divided into dialects. Corresponding to the chief divisions of the
Greeks into Aeolians, Dorians, and Ionians (a division unknown to
Homer), three groups of dialects are commonly distinguished: Aeolic,
Doric, and Ionic, of which Attic is a sister
dialect. Aeolic and Doric are more nearly related to each other
than is either to Ionic. |
Aeolic:
spoken in Aeolis, Lesbos, and kindred with the dialect of Thessaly
(except Phthiotis) and of Boeotia (though Boeotian has many Doric
ingredients). In this book 'Aeolic' means Lesbian Aeolic. |
N.
1. — Aeolic retains primitive ᾱ
(30);
changes τ before
ι to
σ (115);
has recessive accent (162 D.), and many
other peculiarities. |
Doric:
spoken in the Peloponnesus (except Arcadia and Elis), in several of
the islands of the Aegean (Crete, Melos, Thera, Rhodes, etc.), in parts
of Sicily and Southern Italy. |
N.
2. — Doric retains primitive ᾱ
(30)
keeps τ before
ι (115
D.). Almost all Doric dialects have -μες
for -μεν
(462
D.); the infinitive in -μεν
for -ναι
(469
D.), the future in -ξω
from
verbs in -ζω (516
D.), the future in -σῶ, -σοῦμαι
(540
a.). |
N.
3. — The sub-dialects of Laconia, Crete, and Southern Italy, and of
their several colonies, are often called Severer (or Old) Doric; the
others are called Milder (or New) Doric. Severer Doric has η
and ω
where Milder Doric has ει
and ου
(59
D, 4, 5;
230
D.). There are also differences in verbal forms (654). |
Ionic:
spoken in Ionia, in most of the islands of the Aegean, in a few
towns of Sicily, etc. |
N.
4. — Ionic changes primitive ᾱ
to η
(30);
changes τ before
ι to
σ (115);
has lost digamma, which is still found in Aeolic and Doric; often
refuses to contract vowels; keeps a mute smooth before the rough
breathing (124 D.); has κ
for π
in pronominal forms (132
D.). |
N.
5. — The following dialects do not fall among the above
divisions: Arcadian (and the kindred Cyprian, which
are often classed as Aeolic), Elean, and the dialects of N.W.
Greece (Lokris, Phocis, Aetolia, Acarnania, Epirus, etc.), N.W. Greek
resembles Doric. |
N.
6. — The dialects that
retain ᾱ (30)
are called A4
dialects (Aeolic, Doric,
etc.); Ionic and Attic are the only
J dialects.
The Eastern dialects (Aeolic, Ionic) change τι
to
σι (115). |
N.
7. — The local dialects, with the exception of Tzaconian (a
Laconian idiom), died out gradually and ceased to exist by 300 A.
D. |
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D.
The chief dialects that occur in literature are as follows (almost all
poetry is composed in a mixture of dialects): |
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Aeolic:
in the Lesbian lyric poets Alcacus and Sappho (600 B.C.).
Numerous Aeolicisms appear in epic poetry, and some in tragedy.
Theocritus' idylls 28-30 are in Aeolic. |
Doric:
in many lyric poets, notably in Pindar (born 522 B.C.);
in the bucolic (pastoral) poetry of Theocritus (about 310–about 245 B.C.).
Both of these poets |
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3 |
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adopt
some epic an Aeolic forms. The choral parts of Attic tragedy also
admit some Doric forms. There is no Doric, as there is no Aeolic,
literary prose. |
Ionic:
(1) Old Ionic or Epic, the chief ingredient of the dialect of
Homer and of Hesiod (before 700 B.C.).
Almost all subsequent poetry admits epic words and forms. (2) New
Ionic (500–400), the dialect of Herodotus (484–425) and of the
medical writer Hippocrates (born 460). The period between Old and
New Ionic: Archilochus, the lyric poet (about 700–650 B.C.). |
Attic:
(kindred to Ionic) was used by the great writers of Athens in the
fifth and fourth centuries B.C.,
the period of their political and literary supremacy. In it are
composed the works of the tragic poets Aeschylus (525–456), Sophocles
(496–406), Euripides (about 480–406), the comic poet Aritophanes
(about 450–385), the historians Thycidides (died before 396) and
Xenophon (about 434–about 355), the orators Lysias (born about 450),
Isocrates (436–338), Aeschines (389–314), Demosthenes (383–322),
and the philosopher Plato (427–347). |
E.
The Attic dialect was distinguished by its refinement, precision, and
beauty; it occupied an intermediate position between the soft Ionic and
the rough Doric, and avoided the pronounced extremes of other
dialects. By reason of its cultivation at the hands of the
greatest writers from 500 B.C. to
300 B.C., it became the
standard literary dialect; though Old Ionic was still occasionally
employed in later epic and Doric in pastoral poetry. |
N.
1. — The dialect of the tragic poets and Thucydides is often
called Old Attic in contrast to New Attic, that used by
most other Attic writers. Plato stands on the border-line.
The dialect of tragedy contains some Homeric, Doric, and Aeolic forms;
these are more frequent in the choral than in the dialogue parts.
The choral parts take over forms used in the Aeolic-Doric lyric; the
dialogue parts show the influence of the iambic poetry of the
Ionians. But the tendency of Attic speech in literature was to
free itself from the influence of the dialect used by the tribe
originating any literary type; and by the fourth century pure Attic was
generally used throughout. The normal language of the people
("Standard Attic") is best seen in Aristophanes and the
orators. The native Attic speech as it appears in the inscriptions
show no local differences; the speech of Attica was practically
uniform. Only the lowest classes, among which were many
foreigners, used forms that do not follow the ordinary phonetic
laws. The language of the religious cults is sometimes archaic in
character. |
N.
2. — Old Attic writers use ss
for tt
(78),
ρσ for
ρρ (78)
ξύν for
σύν with,
ς for
εἰς into,
ῃ for
ει (λύ̄ῃ
for , λύ̄ει
thou
loosest), -ῆς in
the plural of substantives in -εύς (βασιλῆς,
277),
and occasionally -αται
and -ατο
in the third plural of the
perfect and pluperfect (465 f). |
With
the Macedonian conquest Athens ceased to produce great writers, but
Attic culture and the Attic dialect were diffused far and wide.
With this extension of its range, Attic lost its purity; which had
indeed begun to decline in Aristotle (384–322 B.C.). |
F.
Koinè or Common dialect (ἡ καινὴ διάλεκτος
). The Koine
took its rise in the Alexandrian period, so called from the preëminence
of |
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4 |
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Alexandria
in Egypt was a centre of learning until the Roman conquest of the East;
and lasted to the end of the ancient world (sixth century A.D.).
It was the language used by persons speaking Greek from Gaul to Syria,
and was marked by numerous varieties. In its spoken form the
Koinè consisted of the spoken form of Attic intermingled with a
considerable number of Ionic words and some loans from other dialects,
but with Attic orthography. The literary form, a compromise
between Attic literary usage and the spoken language, was an artificial
and almost stationary idiom for which the living speech drew farther and
farther apart. |
In
the Koinè are composed the writings of the historians Polybius (about
205–about 120 B.C.),
Diodorus (under Augustus), Plutarch (about 46–120 A.D.),
Arrian (about 95–175 A.D.)
Cassius Dio (about 150–about 235 A.D.),
the rhetoricians Dionysius of Halicarnasus (under Augustus), Lucian
(about 120–about 180 A.D.),
and the geographer Strabo (about 64 B.C.–19
A.D.). Josephus, the
Jewish historian (37 A.D.–about
100) also used the Koinè, |
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N.
1. — The name Atticist is given to those reactionary
writers in the Koinè dialect (e.g. Lucian) who aimed at
reproducing the purity of the earlier Attic. The Atticists
flourished chiefly in the second century A.D. |
N.
2. — Some writers distinguish, as a form of the Koinè, the
Hellenistic, a name restricted by them to the language of the New
Testament and of the Septuagint (the partly literal, partly tolerably
free, Greek translation of the Old Testament made by Grecized Jews at
Alexandria and begun under Ptolemy Philadelphus 285–247 B.C.).
The word Hellenistic is derived from
Ἑλληνιστής (from
ἑλληνίζω speak
Greek), a term applied to
persons not of Greek birth (especially Jews), who had learned
Greek. The New Testament is composed in the popular language of
the time, which in that work is more or less influenced by classical
models. No accurate distinction can be drawn between the Koinè
and Hellenistic. |
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G.
Modern Greek appears in literature certainly as early as the
eleventh century, when the literary language, which was still employed
by scholars and churchmen, was no longer understood by the common
people. During the middle ages and until about the time of the
Greek Revolution (1821–1831), the language was called Romaic
(hRwma»kÐ),
from the fact that the people claimed the name of Romans
(hRwma²oi), since
the capital of the Roman Empire had been transferred to
Constantinople. The natural language of the modern Greeks is the
outcome of a continual development of the Koinè in its spoken
form. At the present day the dialect of a Greek peasant is still
organically the same as that of the age of Demosthenes; while the
written language, and to a less extent the spoken language of the
cultivated Athenians and those who have been influenced by the
University of Athens, have been largely assimilated to the ancient
idiom. Modern Greek, while retaining in general orthography of the
classical period, is very different in respect of pronunciation. |
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5 |
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ADVANCED
WORKS ON GRAMMAR AND DIALECTS |
|
ATHENS:
De Graecae linguae dialectis (I. Aeolic 1839, II. Doric 1843).
Gött-
ingen. Still serviceable for Doric. |
BLASS:
Pronunciation of Ancient Greek. Translated from the third German
edition by Purton. Cambridge, Eng., 1890. |
Boisacq:
Les Dialectes doriens. Paris-Liége, 1891. |
Brugmann:
Griechische Grammatik. 4te Aufl. München, 1913.
Purely com-
parative. |
CHANDLER:
Greek Accentuation. 2nd ed. Oxford, 1881. |
Gildersleeve
and Miller:
Syntax of Classical Greek from Homer to Demos-
thenes. Part I. New York, 1900. Part II, 1911. |
Goodwin:
Syntax of the Moods and Tenses of the Greek Verb. Rewritten and
enlarged. Boston, 1890. |
Henry:
Précis de Grammaire comparée du Grec et du Latin. 5th ed.
Paris,
1894. Translation (from the 2nd ed.) by Elliott: A Short
Comparative
Grammar of Greek and Latin. London, 1890. |
Hirt:
Handbuch der Griechischen Laut- und Formenlehre. Heidelberg, 1902.
Comparative. |
Hoffmann:
Die griechischen Dialekte. Vol. i. Der süd-achäische
Dialekt (Ar-
cadian, Cyprian), Göttingen, 1891. Vol. ii. Der
nord-achäische Dialekt
(Thessalian, Aeolic, Boeotian), 1893. Vol. iii. Der ionische
Dialekt (Quellen und Lautlehre), 1898. |
Krüger:
Griechische Sprachlehre. Part i, 5te Aufl., 1875. Part ii,
4te Aufl.,
1862. Leipzig. Valuable for examples of syntax. |
Kühner:
Ausführliche Grammatik der griechischen Sprache. 3te Aufl.
Part i
by Blass. Part ii (Syntax) by Gerth. Hannover,
1890–1904. The only
modern complete Greek Grammar. The part by Blass contains good
collec-
tions, but is insufficient on the side of comparative grammar. |
Meister:
Die griechischen Dialekte. Vol. i. Asiatisch-äolisch,
Böotische, Thes-
salich, Göttingen, 1882. Vol. ii. Eleisch, Arkadisch,
Kyprisch, 1889. |
MEISTERHANS:
Grammatik der attischen Inschriften. 3te Aufl. Berlin, 1900. |
MEYER:
Griechische Grammatik. 3te Aufl. Leipzig, 1896.
Comparative, with
due attention to inscriptional forms. Deals only with sounds and
forms. |
Monro:
A Grammar of the Homeric Dialect. 2d ed. Oxford, 1891.
Valuable
especially for its treatment of syntax. |
Riemann
and Goelzer:
Grammaire comparée du Grec et du Latin. Vol. i
Phonétique et Étude des Formes, Paris, 1901. Vol. ii.
Syntaxe, 1897. |
SMYTH:
The Sounds and Inflections of the Greek Dialects. Ionic.
Oxford, 1894. |
VAN
LEEUWEN:
Enchiridium dictionis epicae. Lugd. Bat. 1892–94.
Contains
a fuller discussion of forms, and aims at reconstructing the primitive
text of
Homer. |
Veitch:
Greek Verbs Irregular and Defective. New ed. Oxford, 1887. |
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