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94
Henry of Loufenburg also wrote and widely introduced the use of many hymns in mixed Latin and German. Verses of this kind had long been a favourite amusement among the monks, and they seem now to have acquired a general popularity. The best-known of them all was a Christmas carol dating from the fourteenth century, which is found in many various versions, and of which the following is an imitation:--
CAROL.
i
| In dulci jubilo | In sweet Joy |
| Sing and shout all below! | |
| He for whom we're pining | |
| Lies in praesepio; | In a manger; |
| Like the sun is shining | |
| Matris in gremio. | In His mothers lap. |
| Qui est A et O. | Who is Alpha and Omega. |
| Qui est A et O. | |
| O Jesu parvule, | O infant Jesus, |
| How my heart longs for thee! | |
| Soothe the sad and ailing, | |
| O Puer optime, | Child most excellent, |
| With Thy love unfailing! | |
| O Princeps gloriae, | O Prince of glory, |
| Trahe me post Te, | Draw me after Thee! |
| Trahe me post Te! | |
| Mater et filia, | Mother and daughter, |
| O Mary, virgin aye, | |
| Hadst thou not gained for us | |
| Caelorum gaudia, | The joys of heaven, |
| Death still had reigned o'er us | |
| Per nostra crimina. | For our sins. |
| Quanta gratia! | How great the grace! |
| Quanta gratia! | |
| 95 | |
| Ubi sunt gaudia? | Where are those joys? |
| Only there where alway | |
| Stand the angels singing | |
| Nova cantica, | New songs, |
| Their sweet voices ringing | |
| In regis curia. | In the King's court. |
| Would we were there to-day! | |
| Would we were there to-day! |
In dulci Jubilo, singet und seid froh
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