ENGLAND’S FIRST WOMAN HYMNIST

While Isaac Watts was working on his immortal version of “Psalms of David,” a baby girl was born to a Baptist minister at Broughton, fifteen miles away. The baby was Anne Steele, destined to become England’s first woman hymn-writer. This was in 1716.

Her father, who was a merchant as well as a minister, served the church at Broughton for sixty years, the greater part without pay. The mother died when Anne was only a babe of three years. From childhood the future hymnist was delicate in health, and in 1735 she suffered a hip injury which made her practically an invalid for life.

The hardest blow, however, came in 1737, when her lover, Robert Elscourt, was drowned on the day before he and Anne were to have been married. The grief-stricken young woman with heroic faith nevertheless rose above her afflictions and found solace in sacred song. It is believed that her first hymn, a poem of beautiful resignation, was written at this time:

That the Lord heard her prayer may be attested by the fact that she became the greatest hymn-writer the Baptist Church has produced. Throughout her life she remained unmarried, living with her father and writing noble hymns. In 1760 her first poems appeared in print under the pen name of “Theodosia.” Her father at this time makes the following notation in his diary: “This day Nanny sent part of her composition to London to be printed. I entreat a gracious God, who enabled and stirred her up to such a work, to direct it and bless it for the good of many. I pray God to make it useful, and keep her humble.” The book proved immensely popular, and the author devoted the profits from its sale to charity.

Miss Steele is the author of 144 hymns and 34 paraphrases of the Psalms. That many of them breathe a spirit of melancholy sadness is not to be wondered at, when we consider the circumstances under which they were written. Although they do not rise to great poetic heights, their language is so artless and simple they seem to sing their way into the heart of the worshiper. When Trinity Episcopal Church of Boston, in 1808, printed its own hymn-book of 151 hymns, fifty-nine of them, or more than one-third, were selected from Miss Steele’s compositions. The fact that so many of them are still found in the hymnals of today is another testimony of their worth.

Among the more famous hymns from her pen are: “Father of Mercies, in Thy Word,” “How helpless guilty nature lies,” “Dear Refuge of my weary soul,” “O Thou 247 whose tender mercy hears,” “Thou only Sovereign of my heart,” and “Thou lovely source of true delight.”

England’s pioneer woman hymnist fell asleep in November, 1788, her last words being, “I know that my Redeemer liveth.” Her epitaph reads:

The decades during which Miss Steele lived and wrought were remarkable for the number of hymn-writers of her own communion who flourished in England. In addition to Miss Steele, the Baptist Church produced such hymnists as Samuel Medley, Samuel Stennett and John Fawcett. Benjamin Beddome also was a prolific writer of this period, but his hymns are not of a high order.

Medley lived a dissipated life in the navy until he was severely wounded in battle in 1759. The reading of a sermon led to his conversion, and he later became pastor of a Baptist congregation in Liverpool. His most famous hymns are “O could I speak the matchless worth” and “Awake, my soul, to joyful lays.” Stennett in 1757 succeeded his father as pastor of a Baptist church in London, where he gained fame as a preacher. His best hymns are “Majestic sweetness sits enthroned” and “’Tis finished, so the Saviour cried.” Fawcett was minister of an humble Baptist congregation in Wainsgate when, in 1772, he received a call to a large London church. He preached his farewell sermon and had loaded his household goods on wagons, when the tears of his parishioners constrained him to remain. A few days later he wrote the tender lyric, “Blest be the tie that binds.” Among his other hymns are “How precious is the Book divine” and “Lord, dismiss us with Thy blessing.”