The Master's Touch.

One morning a number of years ago in London a group of people had gathered in a small auction shop for an advertised sale of fine old antiques and curios. The auctioneer brought out an old blackened, dirty-looking violin. He said, "Ladies and gentlemen, here is a remarkable old instrument I have the great privilege of offering to you. It is a genuine Cremona, made by the famous Antonius Stradivarius himself. It is very rare, and worth its weight in gold. What am I bid?" The people present looked at it critically. And some doubted the accuracy of the auctioneer's statements. They saw that it did not have the Stradivarius name cut in. And he explained that some of the earliest ones made did not have the name. And that some that had the name cut in were not genuine. But he could assure them that this was genuine. Still the buyers doubted and criticised, as buyers have always done. Five guineas in gold were bid, but no more. The auctioneer perspired and pleaded. "It was ridiculous to think of selling such a rare violin for such a small sum," he said. But the bidding seemed hopelessly stuck there.

Meanwhile a man had entered the shop from the street. He was very tall and very slender, with very black hair, middle-aged, wearing a velvet coat. He walked up to the counter with a peculiar side-wise step, and without noticing anybody in the shop picked up the violin, and was at once absorbed in it. He dusted it tenderly with his handkerchief, changed the tension of the strings, and held it up to his ear lingeringly as though hearing something. Then putting the end of it up in position he reached for the bow, while the murmur ran through the little audience, "Paganini."

The bow seemed hardly to have touched the strings when such a soft exquisite note came out filling the shop, and holding the people spellbound. And as he played the listeners laughed for very delight, and then wept for the fullness of their emotion. The men's hats were off, and they all stood in rapt reverence, as though in a place of worship. He played upon their emotions as he played upon the old soil-begrimed violin.

By and by he stopped. And as they were released from the spell of the music the people began clamoring for the violin. "Fifty guineas," "sixty," "seventy," "eighty," they bid in hot haste. And at last it was knocked down to the famous player himself for one hundred guineas in gold, and that evening he held a vast audience of thousands breathless under the spell of the music he drew from the old, dirty, blackened, despised violin.

It was despised till the master-player took possession. Its worth was not known. The master's touch revealed the rare value, and brought out the hidden harmonies. He gave the doubted little instrument its true place of high honor before the multitude. May I say softly, some of us have been despising the worth of the man within. We have been bidding five guineas when the real value is immeasurably above that because of the Maker. Do not let us be underbidding God's workmanship.

The violin needed dusting, and readjustment of its strings before the music came. Shall we not each of us yield this rarest instrument, his own personality, to the Master's hand? There will be some changes needed, no doubt, as the Master-player takes hold. And then will go singing out of our persons and our lives, the rarest music of God, that shall enthrall and bring all within earshot to the Master-musician.