THE BROTHERS KARAMAZOV
Chapter 10 - The Speech for the Defence. An Argument that Cuts Both Ways
ALL was hushed as the first words of the famous orator rang out.
The eyes of the audience were fastened upon him. He began very
simply and directly, with an air of conviction, but not the
slightest trace of conceit. He made no attempt at eloquence, at
pathos, or emotional phrases. He was like a man speaking in a circle
of intimate and sympathetic friends. His voice was a fine one,
sonorous and sympathetic, and there was something genuine and simple
in the very sound of it. But everyone realised at once that the
speaker might suddenly rise to genuine pathos and "pierce the heart
with untold power." His language was perhaps more irregular than
Ippolit Kirillovitch's, but he spoke without long phrases, and indeed,
with more precision. One thing did not please the ladies: he kept
bending forward, especially at the beginning of his speech, not
exactly bowing, but as though he were about to dart at his
listeners, bending his long spine in half, as though there were a
spring in the middle that enabled him to bend almost at right angles.
At the beginning of his speech he spoke rather disconnectedly,
without system, one may say, dealing with facts separately, though, at
the end, these facts formed a whole. His speech might be divided
into two parts, the first consisting of criticism in refutation of the
charge, sometimes malicious and sarcastic. But in the second half he
suddenly changed his tone, and even his manner, and at once rose to
pathos. The audience seemed on the lookout for it, and quivered with
enthusiasm.
He went straight to the point, and began by saying that although
he practised in Petersburg, he had more than once visited provincial
towns to defend prisoners, of whose innocence he had a conviction or
at least a preconceived idea. "That is what has happened to me in
the present case," he explained. "From the very first accounts in
the newspapers I was struck by something which strongly prepossessed
me in the prisoner's favour. What interested me most was a fact
which often occurs in legal practice, but rarely, I think, in such
an extreme and peculiar form as in the present case. I ought to
formulate that peculiarity only at the end of my speech, but I will do
so at the very beginning, for it is my weakness to go to work
directly, not keeping my effects in reserve and economising my
material. That may be imprudent on my part, but at least it's sincere.
What I have in my mind is this: there is an overwhelming chain of
evidence against the prisoner, and at the same time not one fact
that will stand criticism, if it is examined separately. As I followed
the case more closely in the papers my idea was more and more
confirmed, and I suddenly received from the prisoner's relatives a
request to undertake his defence. I at once hurried here, and here I
became completely convinced. It was to break down this terrible
chain of facts, and to show that each piece of evidence taken
separately was unproved and fantastic, that I undertook the case."
So Fetyukovitch began.
"Gentlemen of the jury," he suddenly protested, "I am new to
this district. I have no preconceived ideas. The prisoner, a man of
turbulent and unbridled temper, has not insulted me. But he has
insulted perhaps hundreds of persons in this town, and so prejudiced
many people against him beforehand. Of course I recognise that the
moral sentiment of local society is justly excited against him. The
prisoner is of turbulent and violent temper. Yet he was received in
society here; he was even welcome in the family of my talented friend,
the prosecutor."
(N.B. At these words there were two or three laughs in the
audience, quickly suppressed, but noticed by all. All of us knew
that the prosecutor received Mitya against his will, solely because he
had somehow interested his wife- a lady of the highest virtue and
moral worth, but fanciful, capricious, and fond of opposing her
husband, especially in trifles. Mitya's visits, however, had not
been frequent.)
"Nevertheless I venture to suggest," Fetyukovitch continued, "that
in spite of his independent mind and just character, my opponent may
have formed a mistaken prejudice against my unfortunate client. Oh,
that is so natural; the unfortunate man has only too well deserved
such prejudice. Outraged morality, and still more outraged taste, is
often relentless. We have, in the talented prosecutor's speech,
heard a stern analysis of the prisoner's character and conduct, and
his severe critical attitude to the case was evident. And, what's
more, he went into psychological subtleties into which he could not
have entered, if he had the least conscious and malicious prejudice
against the prisoner. But there are things which are even worse,
even more fatal in such cases, than the most malicious and consciously
unfair attitude. It is worse if we are carried away by the artistic
instinct, by the desire to create, so to speak, a romance,
especially if God has endowed us with psychological insight. Before
I started on my way here, I was warned in Petersburg, and was myself
aware, that I should find here a talented opponent whose psychological
insight and subtlety had gained him peculiar renown in legal circles
of recent years. But profound as psychology is, it's a knife that cuts
both ways." (Laughter among the public.) "You will, of course, forgive
me my comparison; I can't boast of eloquence. But I will take as an
example any point in the prosecutor's speech.
"The prisoner, running away in the garden in the dark, climbed
over the fence, was seized by the servant, and knocked him down with a
brass pestle. Then he jumped back into the garden and spent five
minutes over the man, trying to discover whether he had killed him
or not. And the prosecutor refuses to believe the prisoner's statement
that he ran to old Grigory out of pity. 'No,' he says, 'such
sensibility is impossible at such a moment, that's unnatural; he ran
to find out whether the only witness of his crime was dead or alive,
and so showed that he had committed the murder, since he would not
have run back for any other reason.'
"Here you have psychology; but let us take the same method and
apply it to the case the other way round, and our result will be no
less probable. The murderer, we are told, leapt down to find out, as a
precaution, whether the witness was alive or not, yet he had left in
his murdered father's study, as the prosecutor himself argues, an
amazing piece of evidence in the shape of a torn envelope, with an
inscription that there had been three thousand roubles in it. 'If he
had carried that envelope away with him, no one in the world would
have known of that envelope and of the notes in it, and that the money
had been stolen by the prisoner.' Those are the prosecutor's own
words. So on one side you see a complete absence of precaution, a
man who has lost his head and run away in a fright, leaving that
clue on the floor, and two minutes later, when he has killed another
man, we are entitled to assume the most heartless and calculating
foresight in him. But even admitting this was so, it is
psychological subtlety, I suppose, that discerns that under certain
circumstances I become as bloodthirsty and keen-sighted as a Caucasian
eagle, while at the next I am as timid and blind as a mole. But if I
am so bloodthirsty and cruelly calculating that when I kill a man I
only run back to find out whether he is alive to witness against me,
why should I spend five minutes looking after my victim at the risk of
encountering other witnesses? Why soak my handkerchief, wiping the
blood off his head so that it may be evidence against me later? If
he were so cold-hearted and calculating, why not hit the servant on
the head again and again with the same pestle so as to kill him
outright and relieve himself of all anxiety about the witness?
"Again, though he ran to see whether the witness was alive, he
left another witness on the path, that brass pestle which he had taken
from the two women, and which they could always recognise afterwards
as theirs, and prove that he had taken it from them. And it is not
as though he had forgotten it on the path, dropped it through
carelessness or haste, no, he had flung away his weapon, for it was
found fifteen paces from where Grigory lay. Why did he do so? just
because he was grieved at having killed a man, an old servant; and
he flung away the pestle with a curse, as a murderous weapon. That's
how it must have been, what other reason could he have had for
throwing it so far? And if he was capable of feeling grief and pity at
having killed a man, it shows that he was innocent of his father's
murder. Had he murdered him, he would never have run to another victim
out of pity; then he would have felt differently; his thoughts would
have been centred on self-preservation. He would have had none to
spare for pity, that is beyond doubt. On the contrary, he would have
broken his skull instead of spending five minutes looking after him.
There was room for pity and good-feeling just because his conscience
had been clear till then. Here we have a different psychology. I
have purposely resorted to this method, gentlemen of the jury, to show
that you can prove anything by it. It all depends on who makes use
of it. Psychology lures even most serious people into romancing, and
quite unconsciously. I am speaking of the abuse of psychology,
gentlemen."
Sounds of approval and laughter, at the expense of the prosecutor,
were again audible in the court. I will not repeat the speech in
detail; I will only quote some passages from it, some leading points.