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THE PROLOGUE.

IN WHICH THE PROBLEM OF THE BOOK IS INDIRECTLY STATED.

Chap. I., vv. 1-11.

The search for the summum bonum, the quest of the Chief Good, is the theme of the Book Ecclesiastes. Naturally we look to find this theme, problem, this "riddle of the painful earth," distinctly stated in the opening verses of the Book. It is stated, but not distinctly. For the Book is an autobiographical poem, the journal of the Preacher's inward life set forth in a dramatic form. "A man of ripe wisdom and mature experience, he takes us into his confidence. He unclasps the secret volume, and invites us to read it with him. He lays before us what he has been, what he has thought and done, what he has seen and felt and suffered; and then he asks us to listen to the judgment which he has deliberately formed on a review of the whole."²⁴²⁴   Dean Perowne, in The Expositor, First Series, vol. ix. But that he may the more reservedly lay bare his heart to us, he uses the114 Poet's privilege, and presents himself to us under a mask and wrapped in Solomon's ample mantle. And a dramatic poet conveys his conceptions of human character and circumstance and action, not by direct picturesque descriptions, but, placing men before us "in their habit as they lived," he makes them speak to us, and leaves us to infer their character and condition from their words.

In accordance with the rules of his art, the dramatic Preacher brings himself on the stage of his poem, permits us to hear his most penetrating and characteristic utterances, confesses his own most secret and inward experiences, and thus enables us to conceive and to judge him. He is true to his artistic canons from the outset. His prologue, unlike that of the Book of Job, is cast in the dramatic form. Instead of giving us a clear statement of the moral problem he is about to discuss, he opens with the characteristic utterances of the man who, wearied with many futile endeavours, gathers up his remaining strength to recount the experiments he has tried and the conclusion he has reached. Like Browning, one of the most dramatic of modern poets, he plunges abruptly into his theme, and speaks to us from the first through "feigned lips." Just as in reading the Soliloquy of the Spanish Cloister, or the Epistle of Karshish, the Arab Physician, or a score other of Browning's Poems, we have first to115 glance through it in order to collect the scattered hints which indicate the speaker and the time, and then laboriously to think ourselves back, by their help, into the time and conditions of the speaker, so also with this Hebrew poem. It opens abruptly with "words of the Preacher," who is at once the author and the hero of the drama. "Who is he," we ask, "and what?" "When did he live, and what place did he fill?" And at present we can only reply, He is the voice of one crying in the wilderness of Oriental antiquity, and saying, "Vanity of vanities! all is vanity!"²⁵²⁵   Compare Horace (Od. iv. 7, 9): Pulvis et umbra sumus. For what intent, then, does his voice break the long silence? Of what ethical mood is this pathetic note the expression? What prompts his despairing cry?

It is the old contrast—old as literature, old as man—between the ordered steadfastness of nature and the disorder and brevity of human life. The Preacher gazes on the universe above and around him. The ancient earth is firm and strong beneath his feet. The sun runs his race with joy, sinks exhausted into its ocean bed, but rises on the morrow, like a giant refreshed with old wine, to renew its course. The variable and inconstant wind, which bloweth where it listeth, blows from the same quarters, runs through the very circuit which was its haunt in the time of the116 world's grey fathers. The streams which ebb and flow, which go and come, run along time-worn beds and are fed from their ancient source. But man, "to one point constant never," shifts from change to change. As compared with the calm uniformity of nature, his life is a mere phantasy, passing for ever through a tedious and limited range of forms, each of which is as unsubstantial as the fabric of a vision, many of which are as base and sordid as they are unreal, and all of which, for ever in a flux, elude the grasp of those who pursue them, or disappoint those who hold them in their hands. "All is vanity; for man has no profit," no adequate and enduring reward, "for all his labour;" literally, "no balance, no surplus, on the balance-sheet of life:" less happy, because less stable, than the earth on which he dwells, he comes and goes, while the earth goes on for ever (vv. 2-4).

This painful contrast between the ordered stability of nature and the changeful and profitless disorder of human life is emphasized by a detailed reference to the large natural forces which rule the world, and which abide unchanged, although to us they seem the very types of change. The figure of ver. 5 is, of course, that of the racer. The sun rises every morning to run its course, pursues it through the day, "pants," as one well-nigh breathless, toward its goal,117 and sinks at night into its subterraneous bed in the sea; but, though exhausted and breathless at night, it rises on the morrow refreshed, and eager, like a strong, swift man, to renew its daily race. In ver. 6 the wind is represented as having a regular law and circuit, though it now blows South, and now veers round to the North. The East and West are not mentioned, probably because they are tacitly referred to in the rising and setting sun of the previous verse: all the four quarters are included between the two. In ver. 7 the streams are described as returning on their sources; but there is no allusion here, as we might suppose, to the tides,—and indeed tidal rivers are comparatively rare,—or to the rain which brings back the water evaporated from the surface of the streams and of the sea. The reference is, rather, to an ancient conception of the physical order of nature held by the Hebrew as by other races, according to which the ocean, fed by the streams, sent back a constant supply through subterraneous passages and channels, in which the salt was filtered out of it; through these they supposed the rivers to return to the place whence they came. The ruling sentiment of these verses is that, while all the natural elements and forces, even the most variable and inconstant, renew their strength and return upon their course, for frail man there is no return; permanence and118 uniformity characterise them, while transitoriness and instability mark him for their own. They seem to vanish and disappear; the sun sinks, the winds lull, the streams run dry; but they all come back again: for him there is no coming back; once gone, he is gone for ever.

But it is vain to talk of these or other instances of the weary yet restless activity of the universe; "man cannot utter it." For, besides these elemental illustrations, the world is crowded with illustrations of incessant change, which yet move within narrow bounds and do nothing to relieve its sameliness. So numerous are they, so innumerable, that the curious eye and inquisitive ear of man would be worn out before they had completed the tale of them: and if eye and ear could never be satisfied with hearing and seeing, how much less the slower tongue with speaking (ver. 8)? All through the universe what hath been still is and will be; what was done is done still and always will be done; the sun still running the same race, the winds still blowing from the same points, the streams still flowing between the same banks and returning by the same channels. If any man suppose that he has discovered new phenomena, any natural fact which has not been repeating itself from the beginning, it is only because he is ignorant of that which has been from of old119 (vv. 9, 10).²⁶²⁶   So Marcus Aurelius (Meditt., xi. 1): "They that come after us will see nothing new; and they who went before saw nothing more than we have seen." Yet, while in nature all things return on their course and abide for ever, man's day is soon spent, his force soon exhausted. He does not return; nay, he is not so much as remembered by those who come after him. Just as we have forgotten those who were before us, so those who live after us will forget us (ver. 11). The burden of all this unintelligible world lies heavily on the Preacher's soul. He is weary of the world's "everlasting sameness." The miseries and confusions of the human lot baffle and oppress his thoughts. Above all, the contrast between Nature and Man, between its massive and stately permanence and the frailty and brevity of our existence, breeds in him the despairing mood of which we have the keynote in his cry, "Vanity of vanities, vanity of vanities, all is vanity!"

Yet this is not the only, not the inevitable, mood of the mind as it ponders that great contrast. We have learned to look upon it with other, perhaps with wider, eyes. We say, How grand, how soothing, how hopeful is the spectacle of nature's uniformity! How it lifts us above the fluctuations of inward thought, and gladdens us with a sense of stability and repose! As we see the ancient inviolable laws working out into120 the same gracious and beautiful results day after day and year by year, and reflect that "what has been will be," we are redeemed from our bondage to vanity and corruption; we look up with composed and reverent trust to Him who is our God and Father, and onward to the stable and glorious immortality we are to spend with Him; we argue with Habakkuk (chap. i. ver. 12), "Art not Thou from everlasting, O Lord our God, our Holy One? We shall not die," but live.

But if we did not know the Ruler of the universe to be our God and Father; if our thoughts had still to "jump the life to come" or to leap at it with a mere guess; if we had to cross the gulf of death on no more solid bridge than a Peradventure; if, in short, our life were infinitely more troubled and uncertain than it is, and the true good of life and its bright sustaining hope were still to seek, how would it be with us then? Then, like the Preacher, we might feel the steadfastness and uniformity of nature as an affront to our vanity and weakness. In place of drinking in hope and composure from the fair visage and unbroken order of the universe, we might deem its face to be darkened with a frown or its eye to be glancing on us with bitter irony. Instead of finding in its inevitable order and permanence a hopeful prophecy of our recovery into an unbroken order and an enduring peace, we might passionately demand why, on an abiding earth and under an unchanging121 heaven, we should die and be forgotten; why, more inconstant than the variable wind, more evanescent than the parching stream, one generation should go never to return, and another generation come to enjoy the gains of those who were before them, and to blot their memory from the earth.

This, indeed, has been the impassioned protest and outcry of every age. Literature is full of it. The contrast between the tranquil unchanging sky, with its myriads of pure lustrous stars, which are always there and always in a happy concert, and the frailty of man rushing blindly through his brief and perturbed course has lent its ground-tones to the poetry of every race. We meet it everywhere. It is the oldest of old songs. In all the many languages of the divided earth we hear how the generations of men pass swifty and stormfully across its bosom, "searching the serene heavens with the inquest of their beseeching looks," but winning no response; asking always, and always in vain, "Why are we thus? why are we thus? frail as the moth, and of few days like the flower?" It is this contrast between the serenity and the stability of nature and the frailty and turbulence of man which afflicts Coheleth and drives him to conclusions of despair. Here is man, "so noble in reason, so infinite in faculty, in apprehension so like a god," longing with an ardent intensity for the peace which results from the equipoise122 and happy occupation of his various powers; and yet his whole life is wasted in labours and tumults, in perplexity and strife; he goes to his grave with his cravings unsatisfied, his powers untrained, unharmonised, knowing no rest till he lies in the narrow bed from which is no uprising! What wonder if to such an one as he "this goodly frame, the earth, seems but a sterile promontory" stretching out a little space into the dark, infinite void; "this most excellent canopy, the air ... this brave o'erhanging firmament, this majestical roof fretted with golden fire," nothing but "a foul, pestilential congregation of vapours"? What wonder if, for him, the very beauty of nature should turn into a repulsive hideousness, and its steadfast, unchanging order be held a satire on the disorder and vanity of his life?

Solomon, moreover,—and Solomon in his premature old age, sated and weary, is the mask under which the Preacher conceals his natural face,—had had a large experience of life, had tried its ambitions, its lusts, its pursuits and pleasures; he had tested every promise of good which it held forth, and found them all illusory; he had drunk of every stream, and found no pure living water with which he could slake his thirst. And men such as he, sated but not satisfied, jaded with voluptuous delights and without the peace of faith, commonly look out on the world with haggard eyes. They feed their123 despair on the natural order and purity which they feel to be a rebuke to the impurity of their own restless and perturbed hearts. Many of us have, no doubt, stood on Richmond Hill, and looked with softening eyes on the rich pastures dotted with cattle, and broken with clumps of trees through which shoot up village spires, while the full, placid Thames winds in many a curve through pasture and wood. It is not a grand or romantic scene; but on a quiet evening, in the long level rays of the setting sun, it is a scene to inspire content and thankful, peaceful thoughts. Wilberforce tells us that he once stood in the balcony of a villa looking down on this scene. Beside him stood the owner of the villa, a duke notorious for his profligacy in a profligate age; and as they looked across the stream, the duke cried out, "O that river! there it runs, on and on, and I so weary of it!" And there you have the very mood of this Prologue; the mood for which the fair, smiling heavens and the gracious, bountiful earth carry no benediction of peace, because they are reflected from a heart all tossed into crossing and impure waves.

All things depend on the heart we bring to them. This very contrast between Nature and Man has no despair in it, breeds no dispeace or anger in the heart at leisure from itself and at peace with God. Tennyson, for instance, makes a merry musical brook sing to us on this very theme.

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It is the very plaint of the Preacher set to sweet music. He murmurs, "One generation passeth, and another125 generation cometh, but the earth abideth for ever;" while the refrain of the Brook is,—

Yet we do not feel that the Song of the Brook should feed any mood of grief and despair. The tune that it sings to the sleeping woods all night is "a cheerful tune." By some subtle process we are made to share us bright, tender hilarity, though we too are of the men that come and go. Into what a fume would the Hebrew Preacher have been thrown had any little "babbling brook" dared to sing this saucy song to him. He would have felt it as an insult, and have assumed that the merry, innocent creature was "crowing" over the swiftly passing generations of men. But, for the Christian Poet, the Brook sings a song whose blithe dulcet strain attunes the heart to the quiet harmonies of peace and good-will.

Again I say all depends on the heart we turn to nature. It was because his heart was heavy with the memory of many sins and many failures, because too the lofty Christian hopes were beyond his reach, that this "son of David" grew mournful and bitter in her presence.

This, then, is the mood in which the Preacher commences his quest of the Chief Good. He is driven to126 it by the need of finding that in which he can rest. As a rule, it is only on the most stringent compulsions that we any of us undertake this high Quest. Of their profound need of a Chief Good most men are but seldom and faintly conscious; but to the favoured few, who are to lead and mould the public thought, it comes with a force they cannot resist. It was thus with Coheleth. He could not endure to think that those who have "all things put under their feet" should lie at the mercy of accidents from which their realm is exempt; that they should be the mere fools of change, while that abides unchanged for ever. And, therefore, he set out to discover the conditions on which they might become partakers of the order and stability and peace of nature; the conditions on which, raised above all the tides and storms of change, they might sit calm and serene even though the heavens should be folded as a scroll and the earth be shaken from its foundations. This, and only this, will he recognise as the Chief Good, the Good appropriate to the nature of man, because capable of satisfying all his cravings and supplying all his wants.